Oh, how I loved this book.
It is, in its odd, unromantic way, a love story: and yet it’s a wonderful, unusual love story between ordinary people involved in extraordinary things.
I often find with romantic fiction that we’re expected to empathise with our aspirational heroines: they’re the women we would be, or should be, if we could. I did not identify with Anna, not for one word of it: I did not read this book seeing the world through her eyes, and living her vicarious experiences.
– For which, I might add, I am profoundly grateful.
Nor did I fancy Tattoo in the least bit, although I was pretty sure that other people saw his appeal.
No, better than that. It was like sitting down with an old friend over a coffee while you catch up after a couple of years: I wanted to say “oh Anna you didn’t!” and “dump that shiftless goit!” and “well, I’ve been telling you that for years!”. With a bit of “oh pur-LEASE!!! Him? Seriously??” and “what, on the carpet? eep!”
It’s a bit of a Cinderella story – if Cinderella had been a middle-aged, square-set nurse with a background in martial arts who could have kicked the Ugly Sisters into the middle of next week, and if Prince Charming had had a bit of a paunch and a brutal haircut – and to say I found the end shocking would be an understatement. (But no spoilers.)
It was funny and sweet and grim and horrible all at once, and above all it was entertaining: written with a joie de vivre and humour even in the worst of times that was irresistible.
What happens to love? Where does love hide? In this modern reworking of themes from Jane Eyre, first published as ‘Love Without Shadows’ and now revised and updated by the author, Patricia Finney gives us the story of Anna Clements, overburdened and disappointed wife, mother and community nurse, who no longer believes in her own beauty and her own chance of happiness. Anna spends her days caring for the dying in southern Cornwall, UK, and then in the evenings she returns to a husband who has forgotten how to love her. Anna gives so much of herself, in her work and at home, but in return, she is taken for granted.
And then one day, a man rides into Anna’s life who is so obviously wrong for her, so obviously dangerous, that she is reluctant even to accept his help with the patient who knows him. He’s gentle and he’s caring, but as Anna begins to trust him, she also realises that he has a secret.
Patricia Finney is the author of the James Enys mysteries, ‘Do We Not Bleed?’ and ‘Priced Above Rubies’, and (as P F Chisholm) the Robert Carey novels, all available from the Kindle Bookstore.
Available on Amazon here